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Essays 03 April 2020, 16:17

Force of entropy – weapon wear. All the game mechanics we despise

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Zelda is a truly wonderful game, one that makes you go "holy smokes!" pretty often. - 95% Chances of Success and I Missed?! Game Mechanics We Hate - dokument - 2020-04-03
Zelda is a truly wonderful game, one that makes you go "holy smokes!" pretty often.

And here's the deal with realism: we want it, but we don't want too much of it. Contrary to popular belief, realism in games is not a representation of reality, but a means to maintain the credibility of the convention. The oxygen bar is realistic insofar as we agree that lungs have limited capacity, and that reaching it results in losing consciousness, but it's completely unrealistic on the less superficial level – the time a regular person can spend underwater is usually very short, rather insufficient for exploring underwater caves.

We don't usually pay attention to most of these cases. But there are much more hardcore concepts in game design, and although they use the same principle, they're much more controversial. Take the weapon damage mechanic from Zelda: Breath of the Wildplayers were actually afraid to use their favorite weapons, as they could turn into ash. Weapons were destroyed permanently (unlike in, say, Diablo), which, by the way, isn't terribly realistic...

And then, you cannot break your fists. - 95% Chances of Success and I Missed?! Game Mechanics We Hate - dokument - 2020-04-03
And then, you cannot break your fists.

Things were similar – i.e. equally bad – in Dying Light. People who get attached to their weapons had to opt for a more open relationship. The creators probably wanted to promote improvisation, give off the feeling that we really need to improvise and use anything that comes to hands, even if it's a gas pipe – it's a matter of life and death. To tell you the truth, they managed. They did – at the price of our sanity, and our game controllers, thrown out the window.

Matthias Pawlikowski

Matthias Pawlikowski

The editor-in-chief of GRYOnline.pl, associated with the site since the end of 2016. Initially, he worked in the guides department, and later he managed it, eventually becoming the editor-in-chief of Gamepressure, an English-language project aimed at the West, before finally taking on his current role. In the past, a reviewer and literary critic, he published works on literature, culture, and even theater in many humanities journals and portals, including the monthly Znak or Popmoderna. He studied literary criticism and literature at the Jagiellonian University. Likes old games, city-builders and RPGs, including Japanese ones. Spends a huge amount of money on computer parts. Apart from work and games, he trains tennis and occasionally volunteers for the Peace Patrol of the Great Orchestra of Christmas Charity.

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