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News movies & tv series 26 January 2021, 15:12

author: Karol Laska

The Witcher Prequel and Vesemir Movie Described by Netflix

Plot descriptions for both Witcher spin-offs, namely The Witcher: Blood Origin and The Witcher: The Wolf's Bane, appeared on Netflix. Thanks to this we learned, among other things, the duration of the upcoming movie with Vesemir.

Netflix launched the advertising campaing for its works set in The Witcher universe. Of course, we still don't know too much about them (apart from leaks about season 2), but both the prequel, titled The Witcher: Blood Origin, and the animated movie The Witcher: Nightmare of the Wolf are becoming less and less mysterious.

First of all, Netflix finally took care of the placeholders for the aforementioned works, in which we can read a short description of their plot. Unfortunately, we don't know why, the content differs depending on the country in which the platform operates.

Firstly, the plot description in the US version of Netflix confirms earlier reports that the whole action takes place 1200 years before the events of The Witcher. We've been wondering for a long time whether we'll have a chance to experience the so-called "conjunction of the spheres" on screen, and now we know it for sure. In fact, the sequence of events will be arranged in such a way that its culmination will be a clash of many worlds into one.

Secondly, Redanian Intelligence discovered that the Portuguese website of Netflix, in addition to a brief description, gives the duration of the full-length anime starring Vesemir. The Witcher: Nightmare of the Wolf is about 80 minutes long, so we're dealing with a relatively standard length for an animated film. The movie will debut in 2021.

That's all for now, although the following weeks and months will surely bring even more news, as we learn such things not through internet rumors, but from Netflix's official sources.

Karol Laska

Karol Laska

His adventure with journalism began with a personal blog, the name of which is no longer worth quoting. Then he interpreted Iranian dramas and the Joker, writing for cinematography journal, which, sadly, no longer exists. His writing credentials include a degree in film studies, but his thesis was strictly devoted to video games. He has been writing for Gamepressure since March 2020, first writing a lot about movies, then in the newsroom, and eventually, he became a specialist in everything. He currently edits and writes articles and features. A long-time enthusiast of the most bizarre indie games and arthouse cinema. He idolizes surrealism and postmodernism. He appreciates the power of absurdity. Which is probably why he also tried soccer refereeing for 2 years (with so-so results). He tends to over-philosophize, so watch out.

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